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Wednesday, April 30, 2014

Looking Back

One thing I loved about Photography and Photoshop as a hobby was that I got an opportunity to show things as I saw them. The whole idea for The KimbleViewPoint came from my experiences learning how to shoot and manipulate photographs.

And I shot everything from hoppers:

To Nuns:

In looking forward I thought I'd take a moment to look back. In this blog I wanted to share the art and images that moved me then. These things that I created as a personal remembrance of what is possible.

So, enjoy. Tell me what you think.
Welcome to Toy Land
This is one of my favorites. There were always so many little toys and stuff scattered all over the house. They made perfect subjects.

Hero
Satan was a recurring subject. At the time understanding the adversary was an important part of my life. He's featured often and I as him.
The Devourer
You know, eating souls and what not.
Angel of Mercy
And then there was the other side of the coin. I find all religious imagery fascinating and I created a series of "Lesser Gods" to go with this one.
The Piper
I also really enjoyed shooting people. Like the Nuns I prefered the subjects never know I was there.
Native Man
The Unmasking
And then there were the self portraits. I took a lot of these and often turned them inside out.
Sides



See more Here.

Monday, January 21, 2013

Michelle M. Shows No Fear




Description:
Haunted by memories of her murdered twin, Keely Morrison is convinced suicide is her only ticket to eternal peace. But in death, she discovers the afterlife is nothing like she expected. Instead of peaceful oblivion or a joyful reunion with her sister, Keely is trapped in a netherworld on Earth with only a bounty-hunting reaper and a sarcastic demon to show her the ropes.

When the demon offers Keely her ultimate temptation--revenge on her sister's killer--she must determine who she can trust. Because, as Keely soon learns, the reaper and demon have been keeping secrets and she fears the worst is true--that her every decision changes how, and with whom, she spends eternity.

Chapter One:

Even though I walk through the valley of the shadow of death, I shall fear no evil, for they are with me.
I repeated my version of the psalm as I watched the ribbon of blood drift from my wrist. I’d hoped it would be a distraction—something to stop me from wondering what my sister’s dying thoughts had been. Exhaling slowly, I let the emptiness consume me.

Jordan had kept my secrets and I had kept hers. In the end, it came down to just one secret between us that took her life. Now, it would take mine. I should have said something, but nothing I said or did now could bring her back or make anyone understand what she meant to me.

Are you here, Jordan? Are you with me? Tell me about heaven...

I told myself Jordan was gone, never coming back, but her memories continued to haunt me. I had no idea if there even was an afterlife. If God existed, I was convinced he had given up on me. Not once did I sense he’d heard a single one of my prayers. I wasn’t asking for the world—I only wanted to know if my sister was safe and at peace. What was so hard about that?

She should still be here. It wasn’t fair.

I’d been the difficult one—much more than Jordan. For a while, I’d even gotten into drugs. Mom and Dad had worried I’d get Jordan into drugs, too. But I wouldn’t. Not ever. Besides, that part of my life had been over long before Jordan’s death. A small gargoyle tattoo on my left shoulder was all that remained of my previous lifestyle.

Mom and Dad started treating me differently after Jordan’s funeral two months ago. She and I were twins, so I understood how hard it was for them to look at me and not see her. Sometimes, they wouldn’t look at me at all. Mom went to the psychiatrist, but no one asked if I needed to talk to someone about what happened. No one asked if I needed sleeping pills or antidepressants. Yeah, sure. Don’t give the former addict pills of any sort.

Not one person saw the all-consuming suffering that gnawed at my soul. Why couldn’t anyone see? Jordan had been more than my sister—she’d been my Samson, my strength. I would have done anything for her, and yet, I’d failed her. I wasn’t the one who’d killed her, but I might as well have been. How could I ever live with that? My heart had a stillness to it since her death.

I shall fear no evil.

I couldn’t very well recite the first part of Psalm 23 because it said I shall not want, and I did want. I wanted to go back in time. I wanted my sister back. Clearly, goodness and mercy were never going to be part of my life ever again. In my mind, I saw myself walking through the iron gates of hell with demons cackling gleefully all around.

I didn’t want to die. Not really. I was just tired and didn’t know of another way to stop the pain. Doctors removed a bad appendix. Dentists pulled rotten teeth. What was I supposed to do when my very essence hurt, when the cancer I’d come to call depression made every decent memory agonizingly unbearable?
Before I’d gotten down to cutting my wrist (I managed to only cut one), I’d taken a few swigs of Dad’s tequila—the good kind he kept in the basement freezer. I’d used another swig or two to chase down the remainder of Mom’s sleeping pills in the event I failed to hit an artery or vein. Then I’d set the bottle on the ledge of the tub in case I needed further liquid encouragement. Instead of using a knife or a razor, I attached a cutting blade to my Dad’s Dremel. The Dremel was faster, I reasoned. More efficient.

It would have been easier to OD, I suppose. But I felt closer to my sister this way, to suffer as she’d suffered.

I recited the line from Psalms 23 again. It had become my personal mantra.

The words resonated in my parents’ oversized bathroom. I’d chosen theirs because the Jacuzzi tub was larger than the tub in the hall bathroom. Jordan and I used to take bubble baths together in this same tub when we were little.

Innocence felt like a lifetime ago. I searched the bathroom for bubble bath but came up short. Soap might have made the laceration hurt more so it was probably just as well. Besides, the crimson streaming from my wrist like watercolor on silk was oddly mesmerizing.

The loneliness inside proved unrelenting, and the line from the psalms made me feel better. I prayed for the agony inside me to stop. I argued with God. Pleaded. But after all was said and done, I just wanted the darkness to call me home.

I tried not to think of who would find my body or who’d read the note I’d left. I blamed myself not only for failing Jordan, but for failing my parents, too.

My lifeline to this existence continued to bleed out into the warm water. Killing myself had been harder than I’d imagined. I hadn’t anticipated the searing fire racing through my veins. I reached for the tequila with my good arm but couldn’t quite manage. Tears welled in my eyes.

Part of me foolishly felt Jordan was here. The other part feared she wasn’t.

Give me a sign, Sis. Just one.

I imagined seeing my parents at my funeral—their gaunt faces, red-eyed and sleepless. How could I do this to them? Wasn’t the devastation of losing one child enough?

No. Stop. A voice in my head screamed. Don’t do this. Don’t. Please...

I shifted my body, attempted to get my uncooperative legs under me. I could see the phone on my parents’ nightstand. I could make it that far. Had to. The voice was right. I didn’t want to do this. I felt disorientated, dizzy. Darkness crept along the edges of my vision. Focusing became difficult. A sweeping shadow of black caught my attention. Someone stood in the bathroom—not my sister. A man. Had I managed to call 911? I couldn’t remember getting out of the tub. And why’d I get back in? Did I use a towel?

Mom is going to be pissed when she sees the blood I’ve tracked all over the bedroom carpet.

“I’m sorry,” I told the man in black.

“It’s okay, Keely. Don’t be afraid.” Not my father’s voice. It was softer, with a hint of sorrow. Distant. Fleeting. Later, I’d feel embarrassed about this, but for now I was safe from the nothing I’d almost become. My teeth clattered from the chill. My eyelids fluttered in time with my breaths. The tub water had turned the color of port wine. The ribbons, the pretty, red watercolor ribbons were gone.

Dull gray clouded my sight.

A voice whispered to me, and my consciousness floated to the surface again.

“—okay, Keely.”

Cold. So cold.

“I’m right here.”

There was no fear in me as the man bent forward, his face inches from mine. He was my father’s age, and yet strangely older. His eyes were so...blue, almost iridescent. The irises were rimmed in a fine line of black, and the creases etched at the corners reminded me of sunbeams as he gave me a weak smile. The oddly. Dressed. Paramedic. A warm hand reached into the water and cradled mine. My fingers clutched his. I sighed, feeling myself floating, drifting. Light—high and intense exploded before me. No! Too much. Too much! I shuddered and labored to catch my breath, but it wouldn’t come.

Finally, the comfort of darkness rose to greet me.

Links:




Sunday, November 11, 2012

Taken Out to the Wash


Taken Out to the Wash
A Critique of the short film “The Laundromat” by Timothy Melville
By Davin Kimble

“The Laundromat” by Timothy Melville is an interesting take on the “guy gets duped by a pretty woman” story. Men are fallible. We focus sometimes on what we want or what we expect to happen to us instead of seeing what’s right in front of our faces. At least once in our lives a beautiful woman takes us all for a ride, and if we are lucky we’ll get the chance to take that trip more than once. In this story a normal human interaction that can often take months to play out is a lesson told in a few short minutes. Don’t trust a big butt and a smile.

The scene is a Laundromat. The players, an attractive young lady, an attractive young man and an oblivious dude in the background; the snow globe is a gun. The gun changes everything, the gun twists the plot and gives our antagonist some sense of power over her victim; her poor dumbstruck tango. Here we have a woman, standing in a place one might expect a woman to be standing, reading a magazine you might expect any woman doing her wash to be reading, in a place you’d expect a woman to be. The setup is perfect, the visuals in place. We are all thinking, “romantic moment ahead”, grab your tissues or heartstrings or whatever you pull out during these boy meets girl movie moments. But the gun, now the gun changes everything.

It’s a brilliant if dangerous scheme but it works on this guy. But why wouldn’t it? I would be thinking, “There is no way I am handing this gun over to this chick. It’s obvious she put it there”. I would have at the very least unloaded it first. But this guy … this guy is seeing what he wants to see. All he is thinking is, “this is a chance to get to know a beautiful woman” to his detriment. The story stresses this. He continues to do what she asks thinking she is flirting with him. He dances, unsure of himself. He hands over his wallet and makes excuses for the value of his watch, unsure of himself. He has no weapons, no power. Even had I made the mistake of handing over the gun I would have, I believe, come out of that situation a whole lot better, or dead, but I wouldn’t have danced to her tune. She would have had to dance to mine … or kill me. Women love a man with a gun after all but what this guy missed is that he didn’t have the gun anymore, she did and he had no other weapons to work with.

In a way this is a very empowering feminist tale of the balance of power. This woman, slight of build, seemingly soft and potentially vulnerable has balls bigger than a chimpanzee. Buy itself being ballsy is a hell of a leg up, but having a gun to boot, now there is a tipping point in the balance of power that cannot be denied. But she continues to play coy, sweet, teasing him along with a promise that only he believes is real. She holds all of the cards and she is the only one who realizes it. How easily he hands over his wallet, his watch and his heart if he had been given another half a chance. He even offers to go along with her as a hostage, handing her all of his cards, his “guns”, knives and his dignity. He had no guns left. He’s lucky she left him his manhood. Her position and his desire set him up to be robbed in a public Laundromat.

I think that there are lessons in this tale that speak to the human condition. For instance, what about the guy reading the paper in the back? Did he not even hear the word gun? Why on earth did he not look around now and then? Who sits there never once taking in their environment? Too many people is the answer. This guy is the representation of the ignorant bliss so many walk around in. He witnessed a brazen robbery but the sad part is he will never know it. The robbed man witnessed an brilliant scheme but he will never recognize it. I can hear him telling the story. I can see him thinking on it wistfully, wondering if he’ll ever see her again, longing for it, masturbating to it. She was right. Woman love a man with a gun. They love a man with confidence, a sense of brazen fearlessness, a depth of focus and an innate awareness. This film showed me how you can visually realize a depth of emotion, character and sense of story in a very short frame of time. You can leave your audience wondering what came before and what might come after. You can teach them to wonder who these people are and encourage them to create the rest of the story to their little hearts contentment.